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Irezumi (入れ墨, 入墨, 紋身, 刺花, 剳青, 黥 or 刺青) is a Japanese word that refers to the insertion of ink under the skin to leave a permanent, usually decorative mark; a form of tattooing.
The word can be written in several ways, each with slightly different connotations. The most common way of writing irezumi is with the Chinese characters 入れ墨 or 入墨, literally meaning to "insert ink". The characters 紋身 (also pronounced bunshin) suggest "decorating the body". 剳青 is more esoteric, being written with the characters for "stay" or "remain" and "blue" or "green", and probably refers to the appearance of the main shading ink under the skin. 黥 (meaning "tattooing") is rarely used, and the characters 刺青 combine the meanings "pierce", "stab", or "prick", and "blue" or "green", referring to the traditionalJapanese method of tattooing by hand.
Tattooing for spiritual and decorative purposes in Japan is thought to extend
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In the following Yayoi period (c. 300 BC–300 AD) tattoo designs were observed and remarked upon by Chinese visitors. Such designs were thought to have spiritual significance as well as functioning as a status symbol.
Starting in the Kofun period (300–600 AD) tattoos began to assume negative connotations. Instead of being used for ritual orstatus purposes, tattooed marks began to be placed on criminals as a punishment (this was mirrored in ancient Rome, whereslaves were known to have been tattooed with mottoes such as "I am a slave who has run away from his master").
Until the Edo period (1600–1868 AD) the role of tattoos in Japanese society fluctuated. Tattooed marks were still used as pun
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The impetus for the development of the art were the development of the art of woodblock printing and the release of the popular Chinese novel Suikoden, a tale of rebel courage and manly bravery illustrated with lavish woodblock prints showing men in heroic scenes, their bodies decorated with dragons and other mythical beasts, flowers, ferocious tigers and religious images. The novel was an immediate success, and demand for the type of tattoos seen in its illustrations was simultaneous.
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Nara black, the ink that famously turns blue-green under the skin.
There is academic debate over who wore these elaborate tattoos. Some scholars say that it was the lower classes who wore—and flaunted—such tattoos. Others claim that wealthy merchants, barred by law from flaunting their wealth, wore expensive irezumi under their clothes. It is known for certain that irezumi became associated with firemen, dashing figures of bravery and roguish sex-appeal who wore them as a form of spiritual protection (and, no doubt, for their beauty as well).
At the beginning of the Meiji period the Japanese government, wanting to protect its image and make a good impression on the West, outlawed tattoos, a
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Tattooing was legalized by the occupation forces in 1945, but has retained its image of criminality. For many years, traditional Japanese tattoos were associated with the yakuza, Japan's notorious mafia, and manybusinesses in Japan (such as public baths, fitness centers and hot springs) still ban customers with tattoos. (From: http://en.wikipedia.org/wiki/Irezumi)
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